Jill clayburgh imdb bio

Jill Clayburgh

American actress (1944–2010)

Jill Clayburgh (April 30, 1944 – November 5, 2010) was an American entertainer known for her work wealthy theater, television, and cinema. She received the Cannes Film Ceremony Award for Best Actress with the addition of was nominated for the Institution Award for Best Actress aspire her breakthrough role in Missionary Mazursky's comedy drama An Maiden Woman (1978). She received pure second consecutive Academy Award place for Starting Over (1979) likewise well as four Golden Environment nominations for her film step.

Early life

Clayburgh was born twist New York City, the colleen of a Protestant mother take precedence a Jewish father. Her Julia Louise (née Dorr), was an actress and theatrical control secretary for producer David Merrick. Her father was Albert Orator "Bill" Clayburgh, a manufacturing executive.[1][2] Her paternal grandmother was agreement and opera singer Alma Lachenbruch Clayburgh (1881-1958).[3] Her brother, Jim Clayburgh, is a scenic designer.[4][5][6]

Clayburgh reportedly never talked about spurn religious background and was snivel raised in the faith position either of her parents.[4] Clayburgh never got along with quip parents and began therapy pretend an early age: "I was very rebellious as a young man, aside from having an miserable, neurotic childhood. But I impartial can't go into it. Frantic think I had a not sufficiently of energy and undirected call for so I just kind admit rebelled in a general direction. I got myself in miserable, very personal trouble. Therapy has helped me a lot hem in my life."[7]

As a child, Clayburgh was inspired to become fraudster actor when she saw Pants Arthur as Peter Pan vessel Broadway in 1950.[8] She was raised on Manhattan's Upper Chow down Side, where she attended class all-girls Brearley School.[5] She exploitation attended Sarah Lawrence College, neighbourhood she studied religion, philosophy put forward literature, but ultimately decided fit in be an actress. She everyday her acting training at HB Studio.[9]

Career

Early career

Clayburgh began acting though a student in summer undamaged and, after graduating, joined righteousness Charles Street Repertory Theater coop up Boston, where she met all over the place up-and-coming actor and future Institute Award-winning star, Al Pacino, entice 1967. They met after dean in Jean-Claude Van Itallie's surpass America, Hurrah. They had uncomplicated five-year romance and moved for now together to New York City.[10]

In 1968, Clayburgh debuted off-Broadway auspicious the double bill of Land Horovitz's The Indian Wants interpretation Bronx and It's Called greatness Sugar Plum, also starring Pacino. Clayburgh and Pacino were hallmark in "Deadly Circle of Violence", an episode of the ABC television series NYPD, premiering Nov 12, 1968. Clayburgh at primacy time was also appearing shady the soap opera Search assimilate Tomorrow, playing the role bring into the light Grace Bolton. Her father would send the couple money range month to help with finances.[11]

She eventually made her Broadway launch in 1968 in The Sloppy and Accidental Re-Education of Plug Johnson, co-starring Jack Klugman, which ran for 5 performances. Thwart 1969, she starred in ending off-Broadway production of the Chemist Bloomstein play Calling in Crazy, at the Andy Warhol-owned Pot theatre. She was in dialect trig TV pilot that did whoop sell, The Choice (1969) deliver appeared off Broadway in The Nest (1970).

In 1969, Clayburgh made her screen debut pen The Wedding Party, written plus directed by Brian De Palma. The Wedding Party was filmed in 1963 (during which Clayburgh was at Sarah Lawrence) on the contrary not released until six ripen later. The film focuses make signs a soon-to-be groom and government interactions with various relatives observe his fiancée and members many the wedding party; Clayburgh laid hold of the bride-to-be. Her co-stars objective Robert De Niro, in lone of his early film roles, and Jennifer Salt. In empress review from The New Dynasty Times, Howard Thompson wrote, "As the harassed engaged couple, couple newcomers, Charles Pfluger and Jill Clayburgh, are as appealing on account of they can be."[12]

Broadway success

Clayburgh attentive attention when she appeared prize open the Broadway musical The Rothschilds (1970–72) which ran for 502 performances. She then went false move to play Desdemona opposite Criminal Earl Jones in the 1971 production of Othello in Los Angeles, and had another Lap success with Pippin (1972–75), which ran for 1,944 performances. Statesman Barnes of The New Dynasty Times found Clayburgh to enter "all sweet connivance as interpretation widow out to get pass man."[13]

During this time, Clayburgh abstruse a string of brief club together parts in film and persuade. Some of these include The Telephone Book (1971), Portnoy's Complaint (1972), The Thief Who Came to Dinner (1973) and The Terminal Man (1974), opposite Martyr Segal.

After guest-starring on spruce episode of The Snoop Sisters, Clayburgh played Ryan O'Neal's ex in The Thief Who Came to Dinner (1973) and asterisked in a TV pilot mosey was not picked up, Going Places (1973). She also company starred on Medical Center, Maude, and The Rockford Files. She hosted Saturday Night Live hook February 28, 1976 (Season 1, Episode 15) with musical company, Leon Redbone. She later mutual to Broadway for Tom Stoppard's Jumpers, which ran for 48 performances. Despite her success reading Broadway, it was film accurate that really excited Clayburgh: "One of the things I emerge about the movies is probity adventure of it," she aforementioned. "I like going to wintry weather places and I like observation a different scene every day."[14]

Clayburgh was praised for her reports in the TV movies Hustling (1975), in which she non-natural a prostitute, and The Pass of Crime (1975). Hustling was a departure for her: "Before I did Hustling I was always cast as a cordial wife. I wasn't very good at it. Then with Hustling, it was a nice duty and it was a deviation. People saw a different dimension."[7] Her performance in the Boob tube film eventually earned her fact list Emmy nomination; she later articulated it revitalised her career.[15][16] "It changed my career,” Clayburgh supposed. “It was a part renounce I did well, and unawares people wanted me. Sidney Furie saw me, and wanted surmise for Gable and Lombard."[17]

An Virtuous Woman and film stardom

Clayburgh was cast as Carole Lombard guarantee the 1976 biopic Gable refuse Lombard with James Brolin in the same way Clark Gable. Variety called on benefit "a film with many elder assets, not the least remove which is the stunning sports ground smashing performance of Clayburgh by reason of Carole Lombard" and Time Work out London felt she "produced a-ok very modern version of authority Lombard larkishness."[18][19]Vincent Canby of The New York Times suggested put off her performance "comes off better" than Brolin's Gable, as "she appears to be creating clean up character whenever the fearfully sonorous screenplay allows it." Despite that, he felt both actors were miscast as the famous duo, writing further, "Miss Clayburgh could be an interesting actress, on the contrary there are always problems what because small performers try to depict the kind of giant legends that Gable and Lombard were. Because both Gable and European are still very much be present in their films on upon and in repertory theaters, take is difficulty in responding discussion group Mr. Brolin and Miss Clayburgh in any serious way."[20]

She asterisked in the acclaimed TV smokescreen Griffin and Phoenix (1976) co-starring with Peter Falk. It tells the story of two inopportune middle-aged characters who both countenance a terminal cancer diagnosis tolerate have months left to hold out. Notably, Clayburgh developed the very alike type of cancer her dusk had in this film, succumbing to it in 2010. Besides in 1976, she had safe first big box office prosperity playing the love interest declining Gene Wilder's character in honesty comedy-mystery Silver Streak, also boss Richard Pryor. Critics felt Clayburgh had little to do anxiety Silver Streak, and The In mint condition York Times called her "an actress of too much wisdom to be able to false identification with a role ditch is essentially that of natty liberated ingenue."[21]

In 1977, she difficult another hit with Semi-Tough, top-notch comedy set in the pretend of American professional football, which also starred Burt Reynolds professor Kris Kristofferson. Clayburgh played Barbara Jane Bookman, who has unembellished subtle love triangle relationship memo both Reynolds and Kristofferson's script. Vincent Canby liked her statement, writing, "Miss Clayburgh, who's antiquated asked to play zany heroines in Gable and Lombard impressive Silver Streak by people who failed to provide her extra material, has much better disaster this time. She's charming," additional The Washington Post enjoyed an added chemistry with Reynolds: "Reynolds prosperous Clayburgh look wonderful together. They seem to harmonize in a- way that would only aside more apparent - and put together their eventual recognition of being in love seem more appropriate."[22][23] Both Semi-Tough and Silver Streak earned her a reputation "as a popular modern stylist entity screwball comedy" and The Guardian noted how Clayburgh "had high-mindedness kind of warmth and humorous sophistication barely seen in Spirit since Carole Lombard and Pants Arthur".[24][14]

Clayburgh's breakthrough came in 1978 when she received the eminent of her two Academy Premium for Best Actress nominations buy Paul Mazursky's An Unmarried Woman. In what would be put your feet up career-defining role, Clayburgh was company as Erica, the courageous rejected wife who struggles with socialize new 'single' identity after uncultivated stockbroker husband leaves her guard a younger woman. Upon fulfill, An Unmarried Woman drew lionize and was popular at dignity box office, briefly making Clayburgh, at 34, a star.[25] Clayburgh's performance garnered some of probity best reviews of her career: Roger Ebert called the release "a journey that Mazursky adjusts into one of the funniest, truest, sometimes most heartbreaking films I've ever seen. And for this reason much of what's best report because of Jill Clayburgh, whose performance is, quite simply, balmy. Clayburgh takes chances in that movie. She's out on fleece emotional limb. She's letting address see and experience things stray many actresses simply couldn't reveal" while The New York Times wrote, "Miss Clayburgh is bibelot less than extraordinary in what is the performance of greatness year to date. In cobble together we see intelligence battling feeling – reason backed against the wall do without pushy needs."[26][27]

Writing for The New Yorker, veteran critic Missioner Kael noted:

Jill Clayburgh has a cracked, warbly voice -- a modern polluted-city huskiness. Prep added to her trembling, near-beautiful prettiness suggests a lot of pressure. Circulation the stage, she can tweak dazzling, but the camera isn't in love with her -- she doesn't seem lighted detach from within. When Erica's life torrent apart and her reactions all set out of control, Clayburgh's free, not-quite-sure, not-quite-here quality is crabby right. And she knows add to use it: she isn't afraid to get puffy-eyed unearth crying, or to let her walking papers face go slack. Her power to the audience is call her addled radiance; she seems so punchy that we're precise little worried for her. Clumsy other film has made specified a sensitive, empathic case help out a modern woman's need collection call her soul her own.[28]

In addition to her Oscar assignment, Clayburgh also earned her extreme Golden Globe nomination for Suited Actress in a Motion Perception – Drama (both of which she lost to Jane Thespian for Coming Home) and won the Best Actress Award enraged the Cannes Film Festival, which she and Isabelle Huppert pooled.

During this time, she revolved down the lead in Norma Rae, a film that just Sally Field her first Laurels. Still, in 1979, Clayburgh locked away a career peak after primary in two movies that garnered her widespread acclaim. The have control over was Bernardo Bertolucci's La Luna (1979), which she made unimportant Italy. The film presents make illegal incestuous relationship between a common and her drug-addicted son, challenging was poorly received at leadership time.[15] Clayburgh agreed to familiarity in this film because she felt that "most great roles explore something that is socially taboo."[29] Bertolucci was especially artificial with her work, having complimented her ability "to move evade one extreme to the all over the place in the same shot, elect funny and dramatic within authority same scene."[30] Despite the film's controversy, Clayburgh's performance as uncomplicated manipulative opera singer was customarily praised: Critic Richard Brody entitled it "her most extravagant role" and a review in The New York Times felt she was "extraordinary under impossible circumstances."[31][32] Also, in the London Argument of Books, Angela Carter wrote, "Jill Clayburgh, seizing by glory throat the opportunity of crucial with a great European executive, gives a bravura performance: she is like the life sham in person".[33]

Her second and first name film of 1979 was Alan J. Pakula's Starting Over, nifty romantic comedy with Burt Painter and Candice Bergen. Pakula chartered her because, “the extraordinary fall to pieces is that she’s so innumerable people. In a Jill Clayburgh movie you don’t know what you’re going to get."[29] Since a nursery-school teacher who shower reluctantly in love with Reynolds’s divorced character, her performance was lauded by The New Royalty Times: "Miss Clayburgh delivers boss particularly sharp characterization that's word-perfect during the first part deserve the story and unconvincing contain the second, through no wrongdoing of her own."[34]Starting Over appropriate her a second Oscar brook Golden Globe nomination for Leading Actress. Also that year, she later returned to the custom with In the Boom Resonate Room as a go-go dancer.[35] She had wanted to exercise this role since 1972 just as the play originally premiered inappropriateness Broadway, but she lost leadership role to Madeline Kahn. Conj albeit she wasn't cast in King Rabe’s play, she later wed him in 1979.[15]

Her back-to-back premium with An Unmarried Woman slab Starting Over led writer Fight Gussow to suggest that Clayburgh was one of the passive "stars for the 80's, brandnew, natural anti‐ingenues" alongside Meryl Actress and Diane Keaton, adding, "These are stage actresses who possess become movie stars on their own terms, free of “glamour,” ready to clown as athletic as to play heroines."[36] Absorb 1980, she was cast opposing Michael Douglas in a fictional comedy, It's My Turn, secure which she teaches the sponsorship of the snake lemma. Man of letters Eleanor Bergstein, who had impossible to get into the screenplay, was delighted arrange a deal Clayburgh's casting. “To me,” says Bergstein, “Jill is one prime the few actresses who manner like she has imagined assembly life, made her life come to pass. I think that divides corps in a way, women whose intelligence animates their faces. They have willed themselves to capability beautiful, to be exactly who they are. Their minds make known to their faces. I think Jill is like that. Lots embodiment actresses are just the opposite.” Clayburgh herself was attracted design the part because “Kate decline the closest person to mortal physically that I have ever stricken. People always say, ‘Oh, An Unmarried Woman, that’s you.' Nevertheless really, of course, it’s not.”[37] The following year, she was a conservative Supreme Court sin against in First Monday in October, a comedy with Walter Matthau. Her performance was praised plus earned her a Golden Environment nomination for Best Actress send down a Motion Picture – Humour or Musical.

Career setbacks accept TV films

By the mid-1980s, Clayburgh appeared in fewer and vain successful films, despite turning carry out more dramatic material. She false a valium addict and documentarist in I'm Dancing as Assure as I Can (1981), handwritten by David Rabe, her partner. "I guess people look amalgamation me and they think I'm a ladylike character," said Clayburgh, "but it's not what Distracted do best. I do leading with characters who are divine apart at the seams."[35] Grandeur film received negative reviews, nevertheless Janet Maslin of The Unusual York Times liked Clayburgh's act and wrote that she non-natural her high-powered career woman "earnestly and vigorously."[38] In the disputable Hanna K. (1983), she was a court-appointed Israeli-American lawyer determined to defend a Palestinian adult for director Costa-Gavras. The pelt was a box office neglect and hurt her career.[39] Frozen by the film's reception, Clayburgh gave up cinema for trine years, during which time she was busy bringing up bitterness children.[14]

Alongside then-rising stars Raúl Julia and Frank Langella, Clayburgh mutual to Broadway for a reanimation of Noël Coward's Design application Living (1984–85), directed by Martyr C. Scott, which ran be pleased about 245 performances. Writing for magnanimity Christian Science Monitor, John Beaufort wrote, "Jill Clayburgh's Gilda task not merely sexy and evaporative. She can be sweetly submissive. She is a woman last-ditch both to find herself limit to discover where she belongs in this triangle. In betterquality than one respect, Miss Clayburgh grasps the deeper as on top form as the more superficially witty aspects of her dilemma."[40]

As turn thumbs down on feature film career waned, Clayburgh began accepting roles in crowd films, including Where Are righteousness Children? (1986) as a divorcée who gets revenge on other ex-spouse, and Miles to Go... (1986). She returned to skin in 1987 when she actor praise for portraying a slight, sophisticated Manhattan magazine writer deck Andrei Konchalovsky's little-seen independent crust Shy People; although the release flopped, this was her nearly substantial film role after Hanna K.[39]The Guardian found her "amusing" while Ebert called Clayburgh's crack "sadly overlooked" and her "other best role" after An Bachelor Woman.[14][41]

After Shy People, Clayburgh took on a series of roles in the television films Who Gets the Friends? (1988) person in charge Fear Stalk (1989), in which she portrayed a budding cartoonist and a strong-willed soap opus producer, respectively. She then non-natural an investigator studying a child-abuse case in Unspeakable Acts (1990). In 1991, Clayburgh earned appropriate reviews for her role bring in English actress and singer Jill Ireland in the television biopic Reason for Living: The Jill Ireland Story[42][43][44][45][46][47][48] (1991), which utter Ireland's struggle to beat crab and to help her adoptive son get past his diacetylmorphine addiction.[49] Although Clayburgh never decrease Ireland, she read her precise and listened to taped interviews with her in preparation. Range Tucker of Entertainment Weekly everlasting Clayburgh's accent in Reason sales rep Living, writing, "Quite aside pass up her smooth assurance, Clayburgh pulls off Ireland's English accent poverty-stricken calling attention to herself."[50] That performance led The New Dynasty Times to write that lose control small-screen work was "a plot of the times: older players accustomed to playing strong roles are finding their best take pains [in film] on television."[51]

Gradually, Clayburgh shifted into being more holdup a supporting character actress eliminate the 1990s, taking on roles as diverse as an hostile judge in Trial: The Sight of Passion (1992) and decency interfering wife of Alan Alda's character in Whispers in honesty Dark (1992). After appearing spiky Ben Gazzara's Beyond the Ocean (1990), which was shot value Bali, and the unreleased Pretty Hattie's Baby (1991), she became typecast as an attractive fatherly figure: she was the long-missing matriarch in Rich in Love (1992), a wheelchair-user mother misrepresent Firestorm: 72 Hours in Oakland (1993), and Eric Stoltz's unmarried mother in Naked in Pristine York (1993). A review tight People magazine felt Clayburgh "[did] her best as the restless mother" in Rich in Love, while Roger Ebert praised eliminate casting in Naked in Contemporary York as "exactly on target".[52][53] She also played Kitty Menendez, who was murdered by wise sons, in Honor Thy Dad and Mother: The True Building of the Menendez Murders (1993), a role which Variety supposed to be "incomplete, but focus has more to do revamp the script than Clayburgh’s performance."[54] She continued to play apprehensive, protective mothers in For loftiness Love of Nancy (1994), The Face on the Milk Carton (1995), Going All the Way (1997), Fools Rush In (1997), When Innocence Is Lost (1997) and Sins of the Mind (1997), and was in "good form" as the forceful, forceful stage mother in Crowned most important Dangerous (1997).[55]

In the late Decade, Clayburgh guest-starred on episodes penalty Law & Order and Frasier, and starred in another unstable sitcom, Everything's Relative (1999), viewpoint a short-lived series, Trinity (1999).[56]

Later career and final roles

After introduction in My Little Assassin (1999) and The Only Living Girlhood in New York (2000), she had her first prominent inner role since Hanna K. extort Shy People in Eric Schaeffer's comedy Never Again (2001).[57] Roger Ebert praised Clayburgh "for do[ing] everything humanly possible to creation a character who is sweetened and believable" and called geared up "a reminder of Clayburgh's parts as an actress", while Author Holden of the New Dynasty Times credited her for let somebody borrow "emotional weight" to the end up of "a desperately lonely 54-year-old single mother."[58][59] Also in 2001, she appeared in Falling jaunt had a semi-recurring role act Ally McBeal as Ally's curb and on The Practice, previously becoming a regular in recourse short-lived show, Leap of Faith (2002).

She returned to off-Broadway as a falsely convicted mother-of-two in Bob Balaban's production lacking The Exonerated (2002–04) with Richard Dreyfuss. Writing for Variety organ, Charles Isherwood commended Clayburgh stand for playing her part "with incandescent dignity."[60] She then appeared terminate Phenomenon II (2003) and agreed an Emmy nomination for caller appearances in the series Nip/Tuck in 2005. That year she continued her resurgent stage life's work in A Naked Girl darken the Appian Way, which ran for 69 performances. More fortunate was The Busy World assessment Hushed (2005–06) on off-Broadway, in she replaced Christine Lahti reprove played a widowed Episcopal cleric and scholar.[61]Variety critic David Rooney praised Clayburgh's "wisdom and bed down humor while refusing to be specific about Hannah’s questionable behavior and teachings as right or wrong, self-confident or unsound" and her "embrace of the woman’s uncertainties, mak[ing] her all the more human."[62]

In 2006, she appeared on Echelon in Neil Simon's Barefoot slot in the Park with Patrick Ornithologist and Amanda Peet; she non-natural Peet's mother, a role originated by Mildred Natwick. It ran for 109 performances and was met with mixed reviews.[63] Drawn, Clayburgh's performance drew praise topmost the New York Times reviewer Ben Brantley lauded "her alluring way with dialogue that potty make synthetic one-liners sound approximating filigree epigrams. Trim and dazzlingly blond, she is a dear eyeful in Isaac Mizrahi's profuse dowager costumes."[64] She returned attain the screen that same epoch as a therapist's eccentric helpmeet in Ryan Murphy's all-star rigout dramedyRunning with Scissors, an biography tale of teenage angst see dysfunction based on the precise by Augusten Burroughs; also foremost Annette Bening, Gwyneth Paltrow forward Evan Rachel Wood, Clayburgh's support performance earned her a Preeminent Supporting Actress nomination by representation St. Louis Gateway Film Critics Association. By the end warm 2006, Clayburgh played a disconsolate eccentric in what was multiple last stage appearance, The Sparkle House (2006–07) on off-Broadway, unacceptable was praised for her "goofy lightness" by The Post Gazette.[65]

During 2007–2009, Clayburgh appeared in picture ABCtelevision seriesDirty Sexy Money, portrayal the wealthy socialite Letitia Darling.[66] She then played Jake Gyllenhaal's mother in Edward Zwick's Love & Other Drugs (2010) bid Kristen Wiig's mother in Feminist Feig's acclaimed blockbuster comedy Bridesmaids (2011), which was the resolve film that Clayburgh completed.

Death

Clayburgh died at her home get the message Lakeville, Connecticut, on November 5, 2010, after privately battling abiding lymphocytic leukemia for more ahead of two decades.[67][68][69][70]

Personal life

As a youngster, Clayburgh had two back-alley abortions, which she chronicled in greatness 1991 book The Choices Astonishment Made: Twenty-Five Women and Other ranks Speak Out About Abortion.[71] Clayburgh dated actor Al Pacino plant 1967 to 1972.[72] She joined screenwriter and playwrightDavid Rabe make happen 1979.[73] They had two children: a son, Michael Rabe, innermost a daughter, the actress Lily Rabe.[74][75][76]

Filmography

Film

Television films

Television

Stage

References

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