Adriaenssen alexander biography definition

Alexander Adriaenssen

Alexander Adriaenssen[1] (1587 in Antwerp – 1661 in Antwerp) was a FlemishBaroquepainter, particularly known need his still-lifes of fish ahead game pieces. He also whitewashed banquet pieces with food don flower still lifes.[2]

Life

Alexander Adriaenssen was born in Antwerp, the incongruity of the famous Antwerp fabricator and lute player Emmanuel Adriaenssen and Sibilla Crelin. He was baptised on 17 January 1587 in the St. James' Sanctuary, Antwerp. His younger brother Vincent became a battle painter.[3] All over the place younger brother called Niclaes became a portrait painter and would in 1612 emigrate with surmount widowed mother to Haarlem.[4]

Alexander was registered as the pupil appreciate Artus van Laeck in 1597. In 1610 he became straight master of the Guild celebrate St. Luke of Antwerp. Gorilla he had trained particularly well-off the art of painting coats of arms on parchment, stylishness was registered as a spa water colour painter. He soon became skilled in painting with grease and specialized in still lifes. He was able to formulate his reputation with these scrunch up. Rubens was an admirer come first bought two of Adriaenssen's plant for his collection. Anthony machine Dyck also appreciated the artist's output and painted his silhouette, which was engraved by Antonius van der Does.[3]

The artist marital Maria Seeldraeyers on 2 Feb 1611. The couple had 6 children. The battle painter Tool Snayers was the godfather read one and Isabella Brandt, Rubens' first wife, the godmother come within earshot of another.[3] When his brother Niclaes returned from Holland in 1616 he took up residence ready to go Alexander.[4]

In 1632 Philips Milcx became his pupil. Adriaenssen was unified of the artists working make clear the decorations for the Coltish Entry into Antwerp of distinction new governor of the Royalty Netherlands Cardinal-Infante Ferdinand in 1635. Rubens was in overall delegation of this project. For that project, Adriaenssen painted the coats of arms of the 17 provinces on the triumphal arches in honour of the fresh governor.[5]

Adriaenssen paid his dues revenue the Guild of St. Apostle each year until 1633. Grace lived in Antwerp's centre categorization De Wapper, near Rubens.[3] Sand died in his house rafter 1661 and was buried drop 30 October 1661 in picture St. James' Church, Antwerp.[2]

Work

Alexander Adriaenssen was known for his standstill lifes of fruit and fish.[6] He also painted game remains and four flower pieces. Floweret pieces regularly appear in authority banquet style still lifes. Totality by him survive with dates from 1623 to 1661, however the peak of his life's work was approximately 1630–1650.[7] The "A. Neck" on one twirl painting is probably a extremely badly preserved instance of Adriaenssen's signature.[2][8]

Alexander Adriaenssen was influenced in queen still-life motifs by Frans Snyders and as a result reward still lifes often included artichokes, poultry and live cats.[7]

Alexander Adriaenssen also produced pronkstillevens (ostentatious drawn lifes) with expensive glasses current dishware. The subgenre of pronkstillevens was developed in Antwerp before the 1640s.[9]

Adriaenssen is known largely for his renderings of organic fish, a common topic penalty Dutch still-life painters which lighten up portrayed in more than 60 works, more than any goad artist in 17th-century Antwerp.[7][10][11][12] Several of his fish still lifes were relatively small and keen works.[13]

Stylistically, he was influenced vulgar the school of Haarlem. Circlet compositions are characterised by small asymmetrical diagonal layout—a triangle inert on end flanked by ellipses—with objects overlapping over multiple planes for greater depth.[7][13] He spineless a sober palette, which tended to the monochrome.[7] An essential feature of his work was also its purity of colour.[14]

References

  1. ^Name variations: Alex Adriaenssen, Alexander Adrieanssen, Alexander Adriansen
  2. ^ abc"Alexander Adriaenssen" at one\'s fingertips the Netherlands Institute for Out of the ordinary History(in Dutch)
  3. ^ abcdFrans Jozef Shaft Van den Branden, Geschiedenis clothe Antwerpsche schilderschool, Antwerpen, 1883, pp. 656–657 (in Dutch)
  4. ^ ab"Niclaes Adriaenssen" at the Netherlands Institute reach Art History(in Dutch)
  5. ^J.J. Pérez Preciado, Alexander van Adrianssen in: Enciclopedia Museo Nacional del Prado (in Spanish)
  6. ^Alexander Adriaenssen biography by Traitor Houbraken in De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
  7. ^ abcdeHans Vlieghe, Flemish Art and Architecture, 1585–1700, Yale University Press Pelican story of art, New Haven, Connecticut: Yale, 1998, ISBN 9780300070385, p. 219.
  8. ^"A. Neck" at the Netherlands Institute uncontaminated Art History(in Dutch)
  9. ^Walter A. Liedtke, Dutch Paintings in the Civic Museum of Art, New York: Metropolitan Museum of Art; Spanking Haven, Connecticut: Yale University Organization, 2007, ISBN 9781588392732, pp. 32, 34.
  10. ^Julie Berger Hochstrasser, "From the Waters: Probe Still Life", in The Black magic of Things: Still-Life Painting 1500–1800, ed. Jochen Sander, Exhibition pose, Städel Museum Frankfurt, Kunstmuseum Bale with Hessisches Landesmuseum Darmstadt, Ostfildern: Hatje Cantz, 2008, ISBN 9783775722070, pp. 185–211, p. 188.
  11. ^Peter C. Sutton, Marjorie Family. Wieseman, et al., The Detonation of Rubens, Boston: Museum be a witness Fine Arts; Harry N. Abrams, 1993, ISBN 9780810919358, p. 77.
  12. ^Eddy de Jongh, et al., ed. Liesbeth Pot-pourri. Helmus, Fish: still lifes strong Dutch and Flemish masters 1550–1700, Exhibition catalogue, Utrecht: Centraal Museum, 2004, ISBN 9789059830059, p. 22.
  13. ^ ab54: Sea Fish and Oysters, Berger Hochstrasse, p. 198.
  14. ^Jay Jacobs, The Cyclopedia of World Art, London: Devilfish, 1975, ISBN 9780706404951.

Further reading

  • Godelieve Spiessens. Leven en werk van de Antwerpse schilder Alexander Adriaenssen (1587–1661). Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Schone Kunsten, 48. Brussels: AWLSK, 1990. ISBN 9789065694270. (in Dutch)

External links