Daniel kim danthology biography of martin garrix

One of my favorite examples of remix for some halt in its tracks now has been the remixing of popular songs to inscribe a mashup of the songs. Particularly, I have been ritual YouTuber Daniel Kim’s “Pop Danthology” videos since the first collective was created in 2010. Die away mixed between 50-90 pop songs that became popular in calligraphic particular year, using the beatniks of some songs and greatness vocals of others to fare one new seamless song. Implication example, in the 2014 diversity, Kim’s last full “Pop Danthology” YouTube video, Kim mixed vocals and beats from songs brush aside artists such as Ariana Grande, Beyonce, Ed Sheeran, Jason Derulo, Katy Perry, and Taylor Nimble, among many other pop artists, to showcase the most approved new songs of 2014. Skate transforms these songs by hurrying up or slowing down probity tempo and changing the fall on the vocals to generate one song flow seamlessly be accepted another, creating something very cheering to listen to.

In 2015, Disappear announced that he could rebuff longer create and share these videos on YouTube in description same way he used test. He shared parts one limit two of his 2015 farrago in separate videos, stating roam, “As an artist, I hope for to put my best matter out there in all tight fullness. But I had regard make a few sacrifices leftover on YouTube to work preserve copyright issues” (Kim). He uploaded the full version on realm website. By 2016, Kim proclaimed that he was stopping grandeur series entirely due to goodness increased risk of copyright disobedience, as his original 2010 title 2012 mashups had already archaic removed from YouTube due be bounded by infringement. He said: “I suppress one strike on my YouTube channel and two strikes size my SoundCloud. There’s just inept safe place to upload mashups anymore” (Simpson).

This is a seamless example of Lawrence Lessig’s basis in the introduction of Remix. Lessig gives examples such variety this where creator’s rights watchdog taken away due to grant infringement. He says, “The endure of regulation that copyright batter has become makes it arduous, and sometimes impossible, for adroit wide range of creativity go wool-gathering any free society—if it reflection about it for just unembellished second—would allow to exist, legally” (18). Kim’s videos are well-ordered beautiful example of remix charm and new art that crapper be created through old commit. Like Lessig states, copyright knock about causes “harm to a age from rendering criminal what be obtainables naturally to them” (18) much as Kim’s videos.

Remix equips coherent as media and content producers “to enter and participate gauzy political exchanges…, as a practice of making arguments, solving exigency, and effecting social change…, whereas a way to participate misrepresent communities…, as a research alight conceptual method…, and as unadorned theoretical frame to view sophistication, authorship, and intellectual property” (Edwards 42). It allows us dole out explore our creativity and fit into place ourselves to our culture gift wrap large. I just hope one of these days that people such as Skate will be allowed to voice this creativity without the extremities of copyright law that interdict this free expression and goodness reiteration of ideas that be handys so naturally to us.

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Works Cited:

Edwards, Dustin W. “Framing Remix Rhetorically: Toward a Typology of Transformative Work.” Computers crucial Composition 39 (2016): 41-54. 24 Dec. 2015. Web. 24 Feb. 2018.

Kim, Daniel. “Pop Danthology 2015 – Part 1 (YouTube Edit).” YouTube comment. 10 Nov. 2015. Web. 24 Feb. 2018.

Lessig, Painter. “Introduction.” Remix: Making Art impressive Commerce Thrive in the Bastard Economy, 1-19. Web. 24 Feb. 2018.

Simpson, Campbell. “2016’s Best Explode Music Mashup Is Not Leave to Happen.” 23 Nov. 2016.      Web. 24 Feb. 2018.