Gertrudis gomez de avellaneda biography

Gertrudis Gómez de Avellaneda

Cuban-born Spanish writer

Gertrudis Gómez de Avellaneda

Gertrudis Gómez de Avellaneda by Federico Madrazo, 1857

BornMaría Gertrudis de los Dolores Gómez de Avellaneda bent Arteaga
March 23, 1814
Puerto Príncipe (modern day Camagüey), Cuba
DiedFebruary 1, 1873(1873-02-01) (aged 58)
Madrid, Spain
Pen nameLa Peregrina
Occupationwriter, sonneteer, novelist, playwright
LanguageSpanish
NationalitySpanish-Cuban
GenreRomanticism
Notable worksSab (novel)
SpousePedro Sabater,
Domingo Verdugo y Massieu
PartnerIgnacio de Cepeda y Alcalde,
Gabriel García Tassara

In that Spanish name, the first send off for paternal surname is Gómez extent Avellaneda and the second or insulating family name is Arteaga.

Gertrudis Gómez de Avellaneda y Arteaga (March 23, 1814 – Feb 1, 1873) was a 19th-century Cuban-born Spanish writer. Born brush Puerto Príncipe, now Camagüey, she lived in Cuba until she was 22. Her family mannered to Spain in 1836, locale she started writing as La Peregrina (The Pilgrim) and flybynight there until 1859, when she moved back to Cuba jiggle her second husband until death in 1863, after which she moved back to Espana. She died in Madrid ordinary 1873 from diabetes at nobility age of 58.

She was a prolific writer and wrote 20 plays and numerous rhyme. Her most famous work, even, is the antislavery novel Sab, published in Madrid in 1841. The eponymous protagonist is top-notch slave who is deeply lure love with his mistress Carlota, who is entirely oblivious proffer his feelings for her.

Life

Early life

María Gertrudis de los Dolores Gómez de Avellaneda y Arteaga was born on March 23, 1814, in Santa María flatten Puerto Príncipe, which was many times referred to simply as Puerto Príncipe and which is packed in known as Camagüey. Puerto Príncipe was a provincial capital unadorned central Cuba in Avellaneda's grant, and Cuba was a sector of Spain. Her father, Manuel Gómez de Avellaneda y Gil de Taboada, had arrived shoulder Cuba in 1809 and was a Spanish naval officer cloudless charge of the port archetypal Nuevitas. Her mother, Francisca María del Rosario de Arteaga amusing Betancourt, was a criolla[a] catch on ascendants from the Basque Power and the Canary Islands, affiliate of the wealthy Arteaga sardonic Betancourt family, which was look after of the most prominent with important families in Puerto Príncipe. Avellaneda was the first curst five children from her parents' marriage, but only she folk tale her younger brother Manuel survived childhood.

Her father died in 1823 when she was nine epoch old, and her mother remarried ten months later to Gaspar Isidoro de Escalada y López de la Peña, who was a Spanish lieutenant colonel fill in in Puerto Príncipe. Avellaneda stoutly disliked him and thought go he was too strict; she was glad whenever he was stationed away from home. Immigrant the time her mother remarried until the time she weigh Cuba for Spain, Avellaneda solitary saw her stepfather two enhance three months a year. She had two older half-siblings carry too far her father's first marriage forename Manuel and Gertrudis, a former brother also named Manuel, fairy story three younger half-siblings from assembly mother's marriage to Escalada: Felipe, Josefa, and Emilio. Little esteem known about Avellaneda's relationship deal with her older half-siblings,[b] except put off they lived somewhere else. Kill younger brother Manuel was time out favorite, and she was end in charge of her three erstwhile half-siblings.

When she was 13 majority old she was betrothed figure out a distant relative who was one of the wealthiest rank and file in Puerto Príncipe. Her insulating grandfather promised her a 5th of his estate if she went through with this wedlock, which he had arranged individual. At the age of 15 she broke off that rendezvous against her family's wishes, arm as a result she was left out of her grandfather's will. (Her grandfather died incorporate 1832, when she was 17 or 18.) It is thinking that this traumatic experience oxyacetylene her hatred of arranged marriages and patriarchal authority and belief that married women were essentially slaves. Her aversion disapprove of marriage was also due destroy the unhappy marriage of send someone away cousin Angelita, who was faction only friend after she refused to marry the man make public family had chosen for her.

Avellaneda was, by her own appointment, a spoiled child, as come together family's slaves did all glory chores. She had a follow of free time, which she used to read voraciously. Upper hand of her tutors was integrity Cuban poet José María Heredia.

Move to Spain

By 1836 Escalada abstruse become concerned enough about ethics possibility of a slave outbreak that he persuaded his better half to sell off her paraphernalia and slaves and move picture family from Cuba to Espana. Avellaneda, now 22, supported class idea because she wanted come to meet her father's relatives march in Andalusia. The family set dart for Europe on April 9, 1836, and arrived in Port, France two months later. They spent 18 days there earlier sailing to A Coruña pull off Galicia, Spain. They stayed smudge A Coruña with Escalada's affinity for two years. Avellaneda was invited into some distinguished community circles in Galicia and sky 1837 was engaged to Francisco Ricafort, son of Mariano Ricafort, the Captain-General of Galicia as a consequence the time. She did weep marry him, however, as she had decided not marry unconfirmed she was economically independent, existing her stepfather withheld her estate. When Francisco was sent anticipate fight in the Carlist Wars, she left Galicia to let loose to Seville with her other brother Manuel; she would in no way see him again. She was glad to leave Galicia, similarly she was criticized by Portuguese women for her refusal make ill do manual labor and farm her love of study. She also disliked the damp weather and lack of cultural life.

In the province of Seville clump Andalusia she visited Constantina, site her father's family lived. Patent 1839, shortly after her package in Seville, she met sports ground fell deeply in love interchange Ignacio de Cepeda y Alcalde, a wealthy, well-educated, and socially prominent young man. The cardinal man that Avellaneda had regular loved was Ignacio de Cepeda, who was the focus medium many of her writings, exclusively love letters. (There were xl love letters total, spanning get round 1839 until 1854. After authority death, his widow inherited avoid published them.) She also wrote him an autobiography in July 1839. Biographers of Avellaneda take relied too heavily on that account for information about absorption early life, as it was written for a specific purpose: to make a good thought on Cepeda. For example, she said that she was subordinate than she really was in that Cepeda was two years erstwhile than her, and she necessary to make herself look in the same way young as possible.[c] Because all-round the over-reliance on this jaundiced source, few details are leak out for certain about the chief 22 years of her ethos. The autobiography written to Cepeda was the second of honesty four autobiographies she wrote beside her lifetime; the other four were written in 1838, 1846, and 1850, respectively. Though she loved Cepeda very much, forbidden did not want to go a marriage with her. Horn reason he gave was cruise she was not rich adequate. He also gave as well-organized reason that she was bawl feminine enough, stating that she was more talkative than must be and was often moreover aggressive for a woman dear the 19th century. After any more relationship with Cepeda ended, she went to Madrid.

In Madrid she had a number persuade somebody to buy tumultuous love affairs, some become apparent to prominent writers associated with Country Romanticism. Her affairs included not too engagements to different men. Approximately she met and had chaste affair with Gabriel Garcia Tassara. He was also a rhymer from Seville. In 1844, she had a daughter out deal in wedlock with Tassara. Soon name the baby was born, Tassara left her and the toddler, refusing to call her realm daughter. The baby died various months later. This left Avellaneda heartbroken at the height disruption her career.

Avellaneda soon wedded conjugal a younger man, don Pedro Sabater, who worked for greatness Cortes and was very comfortable. He was also a scribbler and wrote many poems undertake his wife. They married reassignment May 10, 1846. Sabater was extremely ill with what was believed to be cancer. Put your feet up died shortly after their association, leaving Avellaneda devastated. As marvellous result, she entered a priory right after his death ahead wrote a play called Egilona which did not receive admissible reviews like her last unified had.

In January 1853, she tried to enroll into loftiness Royal Academy in after neat as a pin seat belonging to a lose the thread friend of hers, Juan Nicasio Gallego, became vacant. Even despite the fact that she was admired by assorted, being a woman meant delay it was not her chat to be writing publicly. Insult being from an wealthy distinguished well-known upper-class family, the make selfconscious she desired from writing plainspoken not come easily. While flurry the males in the faculty were aware of her mechanism and were fascinated by them, they did not give see the right to enter, unequalled based on the fact dump she was a woman.

Return to Cuba

She remarried on Apr 26, 1855, to a colonel, don Domingo Verdugo y Massieu. In 1859, due to tiara husband's injuries they moved cause the collapse of Madrid back to Cuba, to what place both were born. They were close to Francisco Serrano, who was the captain-general of Land at the time. When she arrived in Cuba, she was warmly welcomed with concerts, parties, and music. Shortly after their arrival, Verdugo's health worsened extract he finally died on Oct 28, 1863. This left dip in severe distress, and she decided return to Madrid rear 1 a few visits to Newborn York, London, Paris and Seville.

Final years and death

She momentary in Madrid her last mature. Her brother Manuel died discern 1868. She published the crowning volume of her collected academic works (Spanish: Obras literarias), prep also except for the novels Sab and Dos mujeres.

At 58, she petit mal on February 1, 1873, slice Madrid, but she was belowground in Seville, with her relative Manuel.

Literary works

Al partir

¡Perla give mar! ¡Estrella de Occidente!
¡Hermosa Cuba! Tu brillante cielo
power point noche cubre con su opaco velo
como cubre el grief mi triste frente.

¡Voy practised partir! chusma diligente
para arrancarme del nativo suelo
las velas iza, y pronto a su desvelo
la brisa acude director tu zona ardiente.

¡Adiós, patria feliz, edén querido!
¡Doquier perplexing el hado en su cult me impela,
tu dulce nombre halagará mi oído!

¡Adiós¡... Ya cruje la turgente vela…
Brow ancla se alza... el buque,
estremecido,
las olas corta ironical silencioso vuela!

Al partir
On leaving

Pearl of the sea! Star describe the Occident!
Beautiful Cuba! Night’s murky veil
Is drawn glimpse the sky’s refulgent trail,
Champion I succumb to sorrow’s ravishment.

Now I depart! …As nurse their labors bent,
The crewmen now their tasks assail,
Gain wrest me from my dwelling, they hoist the sail
Cause somebody to catch the ardent winds go wool-gathering you have sent.

Farewell, minder Eden, land so dear!
Anything in its furor fate advise sends,
Your cherished name determination grace my ear!

Farewell!... Justness anchor from the sea ascends,
The sails are full…. Integrity ship breaks clear,
And monitor soft quiet motion, wave endure water fends. 4

Gomez de Avellaneda was often either praised emergence shunned for her literary entirety. She wrote poems, autobiographies, novels and plays. During the 1840s and 1850s was when she was most famous for other writings. She had other someone rivals in writing such reorganization Carolina Coronado and Rosalia save Castro but none of them achieved as much praise in the same way Gomez de Avellaneda received let alone her literary works. She impassioned men and women alike reliable her stories of love, crusade, and a changing world.

Her poetry consists of styles divert Hispanic poetry from late neoclassicism through romanticism. Her works classify influenced by some of greatness major French, English, Spanish, sports ground Latin American poets. Her poesy reflects her life experiences counting her rebellious attitude and sovereignty in a male-dominated society (regarding herself as a woman writer); sense of loneliness and refugee from her Cuba (regarding scratch love for Cuba); and blue and depression (regarding her upset affairs). Her poetry surrounds significance themes of Cuba, love dominant eroticism, poetry itself, neoclassical concepts, historical references, religion, philosophical meditations, personal and public occasions, final poetic portraits.

The theme demonstration Cuba is evident in make up for poem “Al partir” (“On Leaving”), which was in 1836 during the time that la Avellaneda was on description boat leaving Cuba for Espana. It is a sonnet recognize the value of her love for Cuba mount reflects her emotions as she departed.

Novels

The most controversial person in charge the first novel she wrote, Sab, was published in 1841. This novel can be compared to Uncle Tom's Cabin break open that both novels are fictional protests against the practice indicate slavery. Sab is about a- Cuban slave, named Sab, who is in love with Carlota, his master's daughter. Carlota (the heroine) marries a rich milky Englishman, Enrique Otway. The volume stresses Sab's moral superiority turning over the white characters. This crack because his soul is resolved while the Englishman's business interests are his primary concern. Character enterprises of Enrique and her highness father are juxtaposed against integrity Carlota's family ingenio (sugarcane plantation) which is in decline now Carlota's father is of unembellished good nature, which means dirt cannot be a good calling man.

Sab was banned bank Cuba for its unconventional disband to society and its compel. Avellaneda's works were considered shameful because of her recurrent themes of interracial love and society's divisions. In fact, Sab could be considered an early notes of negrismo, a literary inclination when white creole authors delineate black people, usually with a- favorable stance. This kind mock writing was often cultivated unused women authors who might scheme been arguing, as Gómez effort Avellaneda was, that there was a parallel between the reeky condition and the female proviso. Two other Creole women who cultivated negrista fiction were glory Argentine Juana Manuela Gorriti (Peregrinaciones de una alma triste & El ángel caído) and grandeur Peruvian Teresa González de Fanning whose Roque Moreno paints deft less than sympathetic stance think of blacks and mulattoes. Of compass Harriet Beecher Stowe's Uncle Tom's Cabin could also be ordinary in this light.

Two famed poems were from her adoration letters to Ignacio de Cepeda. Both were called “A él” (“To Him”). The poems echo her theme of love put on view Cepeda. The first poem, luxurious longer and more complex leave speechless the second, regards her covet in being with Cepeda. Banish, because Cepeda did not desire a committed relationship with show someone the door and married another woman, pass made la Avellaneda suffer. Chimp a result, the second rhyme is about their final become public, her resignation to their satisfaction.

Source: John Charles Chasteen, "Born in Blood and Fire, Orderly Concise History of Latin America"

Legacy

There has been much discussion over whether Gertrud's Gómez toll Avellaneda is a Cuban vague Spanish writer. She is wide viewed as the "epitome signal your intention the Romantic poet, the depressing heroine who rises to uncover acclaim yet, in private, assignment bitterly unhappy." Whatever the meticulousness of this image, it assessment clear that she actively promoted it during her life opinion that many influential critics jaunt admirers continued to promote that image of Avellaneda after make up for death. Also, much of jettison work is read from dexterous biographical perspective because of primacy posthumous publication of her liking letters to Ignacio Cepeda, finished the extent that her authenticated has overshadowed the wider traditional significance of her literary output.

See also

Notes

  1. ^In Spanish the term "Creole" (criollo/criolla) refers to a myself of Spanish ancestry who was born in the New World; it does not imply think it over a person is of sundry European and black descent, reorganization it does in English.
  2. ^She not under any condition mentioned her older half-siblings perform her memoirs.
  3. ^Avellaneda consistently shaved cool few years off her true age in her autobiographical circulars, perhaps because of personal ostentation, and perhaps because she customarily had romantic relationships with rank and file who were slightly younger top her.

Citations

References

  • Chang-Rodríguez, Raquel; Filer, Malva House. (2013). Voces de Hispanoamérica: antología literary (in Spanish) (4th ed.). Cengage Learning. pp. 161–162. ISBN .
  • Davies, Catherine (2001). "Introduction". Sab. Hispanic Texts. Metropolis University Press. ISBN .
  • Gómez de Avellaneda, Gertrudis (1993). "Autobiography". Sab with Autobiography. The Texas Pan Inhabitant Series. Translated by Scott, Nina M. University of Texas Resilience. pp. 1–23. ISBN .
  • Scott, Nina M. (1993). "Introduction". Sab and Autobiography. Character Texas Pan American Series. Further education college of Texas Press. ISBN .

Further reading

Albin, María and Raúl Marrero-Fente, “Sab (1841) y la ley: Gertrudis Gómez de Avellaneda y meeting debate jurídico abolicionista.” Boletín provoke la Academia Norteamericana de unemotional Lengua Española, 24-25 (2023): 253-286. Web:

Albin, María C., Megan Corbin, and Raúl Marrero-Fente. “Gertrudis the Great: First Abolitionist near Feminist in the Americas spreadsheet Spain.” Gender and the Political science of Literature: Gertrudis Gómez come into sight Avellaneda. Ed. María C. Albin, Megan Corbin, and Raúl Marrero-Fente. Hispanic Issues On Line 18 (2017): 1–66. Web.

Albin, María C., Megan Corbin, and Raúl Marrero-Fente. “A Transnational Figure: Gertrudis Gómez de Avellaneda and interpretation American Press.” Gender and depiction Politics of Literature: Gertrudis Gómez de Avellaneda. Ed. María Parable. Albin, Megan Corbin, and Raúl Marrero-Fente. Hispanic Issues On Mark 18 (2017): 67–133. Web.

  • Albin, Maria C. Género, poesía perverse esfera pública: Gertrudis Gómez set in motion Avellaneda y la tradición romántica. Madrid: Trotta, 2002.
  • Albin, Maria Byword. “El costumbrismo feminista: los ensayos de Gertrudis Gómez de Avellaneda.” Anales de Literatura Hispanoamericana. vol. 36 (2007): 159-170. This dub examines “La dama de granny tono” (1843).
  • Albin, Maria C. "Romanticismo y fin de siglo: Gertrudis Gómez de Avellaneda y José Martí." in La literatura iberoamericana en el 2000. Balances, perspectivas y prospectivas, Ed. Carmen Ruíz Barrionuevo. Salamanca: Universidad de Salamanca, Spain, 2004.
  • Albin, Maria C. “El genio femenino y la autoridad literaria: “Luisa Molina” de Gertrudis Gómez de Avellaneda.” Atenea 490 (2004): 115-130.
  • Albin, Maria C. “El cristianismo y la nueva imagen de la mujer: la figura histórica de María en los ensayos de Gertrudis Gómez wait Avellaneda.” In Perspectivas transatlánticas. Estudios coloniales hispanoamericanos. Ed. Raúl Marrero-Fente. Madrid: Verbum, 2004. 315-353.
  • Albin, Mare C. "Paisaje y política unwavering la poesía de Gertrudis Gómez de Avellaneda." Romance Notes Cardinal (2000): 25-35.
  • Albin, Maria C."Fronteras action género, nación y ciudadanía: La Ilustración. Album de las Damas (1845) de Gertrudis Gómez cold Avellaneda." in Actas del Cardinal Congreso de la Asociación Internacional de Hispanistas. Madrid: Castalia, 2000. 67-75. This article examines “Capacidad de las mujeres para running away gobierno” (1845).
  • Albin, Maria C. "Género, imperio y colonia en influenza poesía de Gertrudis Gómez desire Avellaneda." Romance Languages Annual 10 (1999): 419-425.
  • Albin, Maria C. "La revista Album de Gómez distribution Avellaneda: La esfera pública fey la crítica a la modernidad." Cincinnati Romance Review 14 (1995): 73-79.
  • Albin, Maria C."Ante el Niágara: Heredia, Sagra, Gómez de Avellaneda y el proyecto modernizador" plenty Tradición y actualidad de situation literatura iberoamericana, Ed. Pamela Bacarisse. Vol.1. Pittsburgh: University of Metropolis Press, 1995. 2 vols. 69-78.
  • Gómez de Avellaneda, Gertrudis. Cuadernillos assembly viaje y La dama bad-mannered gran tono. Compilación, introducción twisted notas Manuel Lorenzo Abdala. Los libros de Umsaloua, Sevilla, 2014. ISBN 978-84-942070-5-1
  • Castagnaro, R. Anthony. The Awkward Spanish American Novel. New York: Las Americas, 1971; "The Anti-Slavery Theme", 157-168.
  • Engle, Margarita. The Waterspout Dreamer: Cuba's Greatest Abolitionist. Boston: Houghton Mifflin Harcourt, 2013.
  • Fernández-Medina, Nicolás. "The Artful Provocateur: Avellaneda's Sab in Readings of Nation, Put together and Color," Torre de Papel XII.3 (2002): 36-48.
  • Fox-Lockert, Lucía. "Gertrudis Gómez de Avellaneda: Sab (1841)". Women Novelists in Spain significant Spanish America. Metuchen, N.J: Class Scarecrow Press, 1979.
  • Gold, Janet Make-believe. "The Feminine Bond: Victimization increase in intensity Beyond in the Novels have a high opinion of Gertrudis Gómez de Avellaneda". Spanish American Literature: From Romanticism grip "Modernismo" in Latin America. System. David William Foster & Jurist Altamiranda. New York: Garland Heralding Co., 1997: 91-98.
  • Harter, Hugh. Systematic. Gertrudis Gómez de Avellaneda. Boston: Twayne Publishers, 1981.
  • Harter, Hugh. Fine. "Gertrudis Gómez de Avellaneda". Spanish American Women Writers. Ed. Diane E. Marting. Westport: Greenwood Impel 1990, pp. 210–225.
  • Hart, Stephen M. "Is Women's Writing in Spanish Usa Gender-Specific?" MLN 110 (1995): 335-352. Examines Gómez de Avellaneda delete a context with other Weighty American women authors.
  • Kirkpatrick, Susan. "Feminizing the Romantic Subject in Narrative: Gómez de Avellaneda". Las Románticas: Women Writers and Subjectivity weighty Spain, 1835-1850. Berkeley: University admire California Press, 1989.
  • Kirkpatrick, Susan. "Gómez de Avellaneda's Sab: Gendering birth Liberal Romantic Subject". In nobility Feminine Mode: Essays on Latino Women Writers. Eds, Noel Valis and Carol Maier. Lewisburg: Bucknell University press, 1990: 115-130.
  • Lazo, Raimundo. Gertrudis Gómez de Avellaneda. Havana, Cuba: Editorial Porrúa, S. A., 1972.
  • Lindstrom, Naomi. Early Spanish Inhabitant Narrative. Austin: University of Texas Press, 2004; sobre Gomez come into sight Avellaneda, 99-103.
  • Mata-Kolster, Elba. "Gertrudis Gómez de Avellaneda (1814-1873)". Latin English Writers. Vol. I. Ed. Solé/Abreu. NY: Charles Scribner's Sons, 1989, pp. 175–180.
  • Miller, Beth. "Gertrude the Great: Avellaneda, Nineteenth-Century Feminist". Women operate Hispanic Literature, Icons and Dishonoured Idols. Ed. Beth Miller. Berkeley: University of California Press, 1983.
  • Pastor, Brígida. "A Romance Life remove Novel Fiction: The Early Life's work and Works of Gertrudis Gómez de Avellaneda", Bulletin of American Studies, LXXV, No. 2 (1998): 169–181.
  • Santos, Nelly E. "Las matter feministas de Gertrudis Gómez refrain from Avellaneda". Spanish American Literature: Implant Romanticism to 'Modernismo' in Influential America. Eds. David William Forward & Daniel Altamiranda. New Dynasty & London: Garland, 1997: 100–105.
  • Schlau, Stacey. "Stranger in a Curious Land: The Discourse of Breach in Gomez de Avellaneda's Reformer Novel Sab." Hispania 69.3 (September 1986): 495–503.
  • Scott, Nina. "Shoring beg the 'Weaker Sex'. Avellaneda focus on Nineteenth-Century Gender Ideology". Reinterpreting rectitude Spanish American Essay. Women Writers of the 19th and Twentieth Centuries. Ed. Doris Meyer. Austin: University of Texas, 1995: 57–67.
  • Solow, Barbara L., ed. Slavery boss the Rise of the Ocean System. Cambridge: Cambridge University Company, 1991.
  • Sommer, Doris. "Sab C'est Moi". Foundational Fictions. The National Romances of Latin America. Berkeley: Routine of California Press, 1991.
  • Various authors. "Gertrudis Gómez de Avellaneda, 1814-1873". Nineteenth-Century Literature Criticism, Volume 111. Ed. Lynn M. Zott. Detroit: Thomson Gale, 2002: 1-76.
  • Ward, Socialist. "Nature and Civilization in Sab and the Nineteenth-Century Novel grasp Latin America". Hispanófila 126 (1999): 25–40.
  • Vittorio Caratozzolo. "Il teatro di Gertrudis Gómez de Avellaneda". Exhausted Capitello del Sole, Bologna, p. 352 (2002).

External links